We Implicated and Complicated (Duet, 2006–8)
Duet with Ana Sánchez-Colberg and Milos Sofrenovic with an original music composition by Nikos Panagiotopoulos and lighting by Boris Kahrnet.
Supported by the Arts Council England, Jerwood Space and the Swedish Research Council.
Bonnie Bird Theatre, LABAN, London, March 2008
Kosmos Theatre, Vienna, March 2008
Siobhan Davies Studios, London, June 2007
DHS Scene, Stockholm, Sweden, April 2007
Embassy Studio, CSSD, London, March 2007
Kosmos Theatre, Vienna, March 2008
Siobhan Davies Studios, London, June 2007
DHS Scene, Stockholm, Sweden, April 2007
Embassy Studio, CSSD, London, March 2007
Documentary by filmmaker Chris Clow
We Implicated and Complicated, Cirkus Version (2007)
For circus artists with support from the Swedish Research Council, KUFU Danshogskolan, Stockholm.
Choreography: Ana Sánchez-Colberg
Music composition: Dimitris Karalis
Lighting: Boris Kahrnet
Music composition: Dimitris Karalis
Lighting: Boris Kahrnet
Danscen, Danshogskolan, Stockholm, April 18th–19th 2007
Holds No Memory (2005–06)
Solo for Ana Sánchez-Colberg by choreographer Efva Lilja (ELD), with an original composition by Swedish composer Tommy Swedberg.
Produced with support from The Place Choreodrome, Jerwood Space and the Arts Council of England.
The Place Choreodrome, London, 2005
Robin Howard Theatre, London, May 2006
DHS Scene, Stockholm, November 2006
John Moore University, Liverpool, January 2007
Performance Space 1, RCSSD, September 2008
Robin Howard Theatre, London, May 2006
DHS Scene, Stockholm, November 2006
John Moore University, Liverpool, January 2007
Performance Space 1, RCSSD, September 2008
Mahler's Fifths (2005)
A contemporary reading of the Mahlerian concept of 'symphony' from the lens of interdisciplinary focusing on the relationship between dance and music, not only as an issue of composition, but also within performative contexts (scores, improvisation, immersive states that include technology).
The project won the PRS/Visiting Arts award for best performing arts work involving live-music. The project was supported by Visiting Arts, Award for All, The Jerwood Studios, Vienna Museum and the Vienna Institute.
Concept and Choreography: Ana Sánchez-Colberg
Performers: Ana Sánchez-Colberg, Daniel Suominen
Composer: Pedro Gomez-Egana
Musicians: New Noise Ensemble
Lighting: James Lightfoot
Photography: Nick Nash
Performers: Ana Sánchez-Colberg, Daniel Suominen
Composer: Pedro Gomez-Egana
Musicians: New Noise Ensemble
Lighting: James Lightfoot
Photography: Nick Nash
Bonnie Bird Theatre, London, February 2004
Conwell Dance Theatre, Philadelphia, September 2004
Helsinki Theatre Academy, Helsinki, December 2004
San Francisco International Arts Festival, May 2005
Conwell Dance Theatre, Philadelphia, September 2004
Helsinki Theatre Academy, Helsinki, December 2004
San Francisco International Arts Festival, May 2005
INSIDE HEINER’S MIND (2003–04)
A one-woman solo based on Heiner Muller’s Explosion of A Memory.
A one-woman solo based on Heiner Muller’s Explosion of A Memory.
Concept, choreography and performance: Ana Sánchez-Colberg
Bonnie Bird Theatre, London, March 2003
Tanzparenz Festival, Kosmos Theatre, Vienna, April 2003
Institute of Fine Arts, San Juan Puerto Rico, May 2003
Helsinki Theatre Academy, Helsinki, December 2004
San Francisco International Arts Festival, May 2005
Tanzparenz Festival, Kosmos Theatre, Vienna, April 2003
Institute of Fine Arts, San Juan Puerto Rico, May 2003
Helsinki Theatre Academy, Helsinki, December 2004
San Francisco International Arts Festival, May 2005
KILLING CHARITY (2002)
A one woman solo based on Franca Rame’s Woman Alone plays.
A one woman solo based on Franca Rame’s Woman Alone plays.
Concept and direction: Niall Rhea
Performer: Ana Sánchez-Colberg
Scenography and lighting: Niall Rhea
Performer: Ana Sánchez-Colberg
Scenography and lighting: Niall Rhea
The Place Theatre, London, October 2004